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Best heroes in crisis 5
1. HEROES IN CRISIS #5 (OF 9)
2. HEROES IN CRISIS #5 VAR ED
Description
The secrets of the DC Universe are hacked! Sanctuary wasn't supposed to keep records, but now that the A.I. is compromised, superhero secrets are leaking all over the 'Net. Booster and Harley set aside their differences to focus on who they believe is the real killer (assuming one of them isn't lying, that is). Meanwhile, Batman and the Flash continue to investigate the mysterious murderer. The answer can be found in Sanctuary...but is it safe to go digging in the crime scene?
3. DC Super Hero Girls: Finals Crisis
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DC Super Hero Girls Finals Crisis
Description
A
New York Times Bestseller!
Welcome to DC Super Hero High! Class in now in session!
Prepping for high school finals is hard enough, but at DC Super Hero High, even the tests are super-tough!Supergirl, Bumblebee, Wonder Woman, Batgirl, Harley Quinn, Katana and Poison Ivy are studyinghard when they are trapped by a mysterious villain! Will the students outsmart their captor, save Metropolis, and still pass their finals?
In the first-ever DC Super Hero Girls original graphic novel, meet the students of Superhero High School as they find out that fun, friendship and hard work are all parts of growing up!
The DC Super Hero Girls is an exciting new universe of Super Heroic storytelling that helps build character and confidence, and empowers girls to discover their true potential. Developed for girls aged 6-12, DC Super Hero Girls features DC Comics' most powerful and diverse line-up of female characters as relatable teens. Icons including Wonder Woman, Supergirl, Batgirl, Harley Quinn, Bumble Bee, Poison Ivy, Katana and many more make their unprecedented teenaged introduction that explores what teen life is like as a Super Hero.
4. Zero Hour: Crisis in Time
Feature
Used Book in Good Condition
Description
Written by Dan Jurgens; Art by Jurgens, Jerry Ordway, Frank Fosco, Ken Branch; Cover by Jurgens and Ordway A new printing of the trade paperback collecting 1994's classic ZERO HOUR saga! This volume collects stories from SHOWCASE '94 #8-9 and ZERO HOUR: CRISIS IN TIME #4, 3, 2, 1, and 0, chronicling a discovery by DC's greatest heroes of a tidal wave of temporal disruption. They band together to combat the chronal chaos as other heroes face even greater havoc a thousand years in the future!
5. Infinite Crisis (DC Comics)
Feature
Used Book in Good Condition
Description
Four heroes trapped in limbo are about to reveal themselves--one is dying, one wants to save her and restore an entire world that vanished, and the other two seek unrivaled power--but when they concoct an earth-shattering plan, even the world's greatest superheroes may not be enough to stop them.
6. Myths and Crises: American Masculinity in 1980s Vietnam War Films - Analysis of Five Films (Platoon, Full Metal Jacket, Hamburger Hill, Casualties of War, and Born on the Fourth of July)
Description
Throughout history, military service and wars have served as rites of passage for young men and often defined American manhood itself. Films about war capture this masculine journey and reveal myths about war service and American masculinity. Five films comprise the foundation of this study. Platoon (1986), Full Metal Jacket (1987), Hamburger Hill (1987), Casualties of War (1989), and Born on the Fourth of July (1989) were all released in the mid-to-late 1980s and reflect a resurgence in national attention on the troubling war. The films question the following national myths about norms of masculinity: the World War II American war hero, war service as a path to manhood, and a monolithic American masculinity. Aggressive efforts to restore American confidence and masculinity characterized the beginning of the 1980s with the election of President Ronald Reagan and the rise of the New Right's influence. The films reveal a tempering of the bravado and hypermasculinity promulgated in the earlier eighties and depict a more nuanced performance of masculinity. The study provides insight into the role masculinity plays in society and, specifically, the military, and provides a contextual framework for analyzing masculinity in film. Beginning with an overview of the evolution of historical and war films, chapter 1 explores the connections between war and gender, along with film's importance in revealing these connections. Film's portrayal of issues of societal anxiety is also explored. Chapter 2 lays out a framework of masculinity, and provides a narrative history of masculinity from a sociohistorical perspective including important political, economic, and cultural factors starting with the Great Depression. Beginning with this period provides context to masculinity as an ever-evolving phenomenon. A short history of masculinity also reveals another of its key components and a common source of crisis, its plurality; despite what national myths may claim, there is no one monolithic American masculinity. Changes in access to institutions of power, economic opportunities, and gender relations all contribute to shifts in masculinity.5 Chapter 3 traces the turmoil of the previous decades' continued effects on the political, economic, and social aspects of 1980s life. Aggressive efforts to restore American confidence and masculinity characterized the beginning of the 1980s with the election of President Ronald Reagan and the rise of the New Right's influence. The emergence of this hypermasculinity was a response to the social movements of the previous decades and the loss in Vietnam, both of which undermined American masculinity. Chapter 4 analyzes the five Vietnam War filmsPlatoon, Full Metal Jacket, Hamburger Hill, Casualties of War, and Born on the Fourth of Julywithin the framework of masculinity, and connects the films' portrayal of masculinity to the 1980s social history discussed in the second and third chapters. The films reveal critiques of national myths of norms of masculinity that emerged out of World War II. The mid-to-late 1980swhen these films were releasedalso marked a tempering of the bravado and hypermasculinity initially promulgated and the films depicted a more nuanced performance of masculinity. The concluding chapter discusses the significance of the films in understanding masculinity's role in American society, and especially in war.
Conclusion
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