Top 10 best walker evans american: Which is the best one in 2024?
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Best walker evans american
1. Walker Evans: American Photographs: Seventy-Fifth Anniversary Edition
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Museum of Modern ArtDescription
More than any other artist, Walker Evans invented the images of essential America that we have long since accepted as fact, and his work has influenced not only modern photography but also literature, film and visual arts in other mediums. The original edition of American Photographs was a carefully prepared letterpress production, published by The Museum of Modern Art in 1938 to accompany an exhibition of photographs by Evans that captured scenes of America in the early 1930s. As noted on the jacket of the first edition, Evans, photographing in New England or Louisiana, watching a Cuban political funeral or a Mississippi flood, working cautiously so as to disturb nothing in the normal atmosphere of the average place, can be considered a kind of disembodied, burrowing eye, a conspirator against time and its hammers. This seventy-fifth anniversary edition of American Photographs, made with new reproductions, recreates the original 1938 edition as closely as possible to make the landmark publication available for a new generation. American Photographs has fallen out of print for long periods of time since it was first published, and even subsequent editions--two of which altered the design and typography of the book in small but significant ways--are often available only at libraries and rare bookstores. This version, like the fiftieth-anniversary edition produced by the Museum in 1988, captures the look and feel of the very first edition with the aid of new digital technologies.Walker Evans (19031975) took up photography upon his return to New York in 1927, following a year in Paris when his aspiration to become a writer withered in the shadow of Fitzgerald, Hemingway and Joyce. In 1935, Evans was commissioned by the Farm Security Administration to photograph the effects of the Great Depression in the Southeast. During this time he took many of the photographs that appeared in his collaboration with James Agee, Let Us Now Praise Famous Men (1941), a book which has become a defining document of that era. Evans joined the staff of Time magazine in 1945 and shortly thereafter became an editor at Fortune, where he stayed for the next two decades. In 1964, he became a professor at the Yale University School of Art, where he taught until his death in 1975.
2. Let Us Now Praise Famous Men: The American Classic, in Words and Photographs, of Three Tenant Families in the Deep South
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A landmark work of American photojournalism renowned for its fusion of social conscience and artistic radicality (New York Times)
In the summer of 1936, James Agee and Walker Evans set out on assignment for Fortune magazine to explore the daily lives of sharecroppers in the South. Their journey would prove an extraordinary collaboration and a watershed literary event when, in 1941, Let Us Now Praise Famous Men was first published to enormous critical acclaim. This unsparing record of place, of the people who shaped the land and the rhythm of their lives, is intensely moving and unrelentingly honest, and todayrecognized by the New York Public Library as one of the most influential books of the twentieth centuryit stands as a poetic tract of its time. With an elegant new design as well as a sixty-four-page photographic prologue featuring archival reproductions of Evans's classic images, this historic edition offers readers a window into a remarkable slice of American history.
3. Walker Evans: Depth Of Field
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Walker Evans Depth of FieldDescription
This resplendent volume is the most comprehensive study of Walker Evanss work ever published, containing masterful images accompanied by authoritative commentary from leading photography historians. The name Walker Evans conjures images of the American everyman. Whether its his iconic contributions to James Agees depressionera classic book, Let Us Now Praise Famous Men, his architectural explorations of antebellum plantations, or his subway series, taken with a camera hidden in his coat, Evanss accessible and eloquent photographs speak to us all. This comprehensive book traces the entire arc of Evanss remarkable career, from the 1930s to the 1970s. The illustrations in the book range from his earliest images taken with a vest pocket camera to his final photos using the then new SX-70 because his regular equipment had become too heavy to carry around. The book includes commentary from three of Evanss longtime friends, photographers John T. Hill and Jerry Thompson and professor emeritus (Yale University) Alan Trachtenberg. Their insight and first-hand experience give depth to their critical writings on Evanss work. In addition to offering a broad perspective on Evanss work, the book also clarifies the photographers anti-art philosophy. Eschewing aesthetic hyperbole, Evans wanted his pictures to resonate with a wide audience. At the same time, his natural curiosity made him one of the most inventive photographers of all time. What these photographs and writings attest to is a huge and timeless talent, which came not from a camera, but from Evanss uniquely hungry eye.4. Walker Evans American Photographs
5. Walker Evans
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Used Book in Good ConditionDescription
A representative collection of Evans' photographs in which he records, in startling simplicity, the plight of the urban and rural poor over forty years6. Walker Evans
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Some of Walker Evans most iconic images of 20th-century American culture are showcased in this book celebrating his 50-year career. Walker Evans was one of the most important American photographers of the 20th century. His focus on everyday life in America, in both urban and rural settings, makes him also one of the most relatable. This retrospective volume traces Evans career through more than 300 imagesfrom his first photographs of the late 1920s to his Polaroids of the 1970s. Organized thematically, the book examines topics such as Evans relationship with the impresario Lincoln Kirstein, his work in postcards and magazines, and his lifelong exploration of the American vernacular. In addition, this volume features items from the photographers own collection, including personal writings, signage, postcards, and other ephemera. Through these ancillary objects and a thorough overview of Evans career, readers will come away with a better understanding of a photographer whose iconic photographs remain timeless.7. Walker Evans: American Photographs: Books on Books No. 2
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Used Book in Good ConditionDescription
Errata Editions' Books on Books series is an ongoing publishing project dedicated to making rare and out-of-print photography books accessible to students and photobook enthusiasts. These are not reprints or facsimiles but complete studies of the original books. Each volume in the series presents the entire content, page for page, of an original master bookwork which, up until now, has been too rare or expensive for most to experience. Through a mix of classic and contemporary titles, this series spans the breadth of photographic practice as it has appeared on the printed page and allows further study of the creation and meanings of these great works of art. Each volume in the series contains illustrations of every page in the original photobook, a new essay by an established writer on photography, production notes about the creation of the original edition and biographical and bibliographical information about each artist.Walker Evans' American Photographs is arguably the most important photobook ever published. Originally conceived as a catalogue to accompany Evan's one-man show at The Museum of Modern Art in 1938, it has been out of print for many long stretches of time. Books on Books 2 presents the original 1938 edition with the 87 legendary black-and-white photographs that defined the documentary-style aesthetic. This volume also reproduces Lincoln Kirstein's great original essay as well as a contemporary piece by John T. Hill, the author of many books on Evans, including Lyric Documentary, published in 2006.
8. Walker Evans: Cuba
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In 1933, Walker Evans traveled to Cuba to take photographs for The Crime of Cuba, a book by American journalist Carleton Beals. Bealss explicit goal was to expose the corruption of dictator Gerardo Machado and the torturous relationship between the United States and its island neighbor. Evanss photographs are fascinating both for their subject matter and the evidence they provide of his artistic development. This volume brings together more than sixty of these imagesall from the J. Paul Getty Museums extensive holdings of the photographers work.
Codrescus spirited text helps to provide a sense of the aesthetic and political forces that were shaping Evanss art in the early 1930s. He argues that the photographs are the work of a young artist whose temperament was distinctly at odds with Bealss impassioned rhetoric and shows that Evans was just beginning to combine his early, formalist aesthetic with the social concerns that would figure so prominently in his later work. Together, the images and the insightful essay provide a compelling study of a major artist at an important juncture in his career.
9. Walker Evans
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Used Book in Good ConditionDescription
The catalog that accompanied an exhibition at the Met featuring items from the then acquired Walker Evans archives. Metropolitam Museum of Art/Princeton University Press, 2000. 318 pages; b&w photos throughout; 10 x 11.5 inches. Bibliography, index.10. Walker Evans: Kitchen Corner (Afterall Books / One Work)
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An examination of one of Walker Evans's iconic photographs of the Great Depression.
Kitchen Corner, Tenant Farmhouse, Hale County, Alabama shows a painstakingly clean-swept corner in the house of an Alabama sharecropper. Taken in 1936 by Walker Evans as part of his work for the Farm Security Administration, Kitchen Corner was not published until 1960, when it was included in a new edition of Walker Evans and James Agee's classic Let Us Now Praise Famous Men. The 1960 reissue of Evans and Agee's book had an enormous impact on Americans' perceptions of the Depression, creating a memory-image retrospectively through Walker's iconic photographs and Agee's text. In this latest addition to the Afterall One Work series, photographer Olivier Richon examines Kitchen Corner. The photograph is particularly significant, he argues, because it uses a documentary form that privileges detachment, calling attention to overlooked objects and to the architecture of the dispossessed. Given today's growing economic inequality, the photograph feels pointedly relevant.
The FSA, established in 1935, commissioned photographers to document the impact of the Great Depression in America and used the photographs to advertise aid relief. For four weeks in the summer of 1936, Evans collaborated with Agee on an article about cotton farmers in the American South. The result of that project was the landmark publication Let Us Now Praise Famous Men, documenting three sharecropper families and their environment. These photographs were intimate, respectful portraits of the farmers, and of their homes, furniture, clothing, and rented land. Kitchen Corner powerfully evokes Agee's observations of the significance of bareness and space in these homes: general odds and ends are set very plainly and squarely discrete from one another... [giving] each object a full strength it would not otherwise have.
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